Memoirs of a Geisha - Should Sayuri have chosen Nobu or the Chairman? Showing of
Golden says. By setting the book up as being retold by Sayuri in her dotage, looking back on her life in Japan, Golden solved the problem. Sayuri meets the Chairman years before she becomes a geisha, and his . taught at geisha schools, and Hatsumomo has no trouble dominating her when she becomes .. Nevertheless, Nobu's relationship to Sayuri is extremely important. An idealist and a romantic, Sayuri falls in love with Chairman Ken Iwamura and ensures that she succeeds in building a relationship with the Chairman and, that Hatsumomo was causing Sayuri trouble in Gion, since Hatsumomo was.
Chiyo, tired of scrubbing floors and being the do-this and do-that girl of the household realizes her best chance at some form of freedom is to elevate herself. The Movie based on this book was released in and directed by Rob Marshall.
At age 15 her virginity or mizuage is put up for auction. It is hard not to think of this as a barbaric custom, but for a geisha, if a bidding war erupts, she can earn enough money to pay off all the debts that have accumulated for her training. Chiyo, now called Sayuri, is fortunate to have two prominent men wanting to harvest her flower. The winner is Dr. Crab who paid a record amount for the privilege. He even led with one shoulder when he walked, just like a crab moving along sideways.
After the deed is done, the eel spit in the cave, Dr. Crab brought out a kit filled with bottles that would have made Dexter jealous. Each bottle has a blood sample, soaked in a cotton ball or a piece of towel of every geisha he has ever treated including the blood from his couplings for their virginity. He cuts a piece of blood soaked towel that was under Sayori and added it to the bottle with her name. The cultural obsession, every country seems to have one, with female virginity is simply pathological.
Not strapped to a table by a serial killer type fear, but still there has to be that underlying hum as the man prepares to enter her.
I wonder if men, especially those who avidly pursue the deflowering of maidens, are getting off on that fear? Granny dies when a space heater in her room electrocutes her. Toshikazu Nobu Nobu is the Chairman's business partner and friend. As president of Iwamura Electric, he proves himself a perceptive and loyal businessman. Nobu's face and body have terrible burn scars from a bomb explosion during a military maneuver.
His heroics also cost him his arm. For this reason, many people are afraid to get close to him, and his harsh demeanor does not make him any easier to approach. Those who know him well, however, find that he is a man of great character and loyalty, who has very human feelings hidden beneath his gruff exterior. He and Sayuri become friends, and he shows unusual affection in his treatment of her. Her ultimate rejection of him is deeply hurtful. Pumpkin Sayuri gives the other girl her age at the okiya the nickname "Pumpkin," and it stays with her even into her geisha years.
Pumpkin begins working at the okiya as a servant until she is ready to begin geisha school. She is sweet natured, but not particularly intelligent. She has difficulty mastering the skills taught at geisha schools, and Hatsumomo has no trouble dominating her when she becomes her apprentice. Pumpkin and Sayuri are friends until their apprenticeships with rival geisha force them to compete with each other.
The backlash of the rivalry generates bitterness in Pumpkin, who sabotages Sayuri's plan to alienate Nobu. Pumpkin seeks revenge because Mother makes Sayuri the okiya's adopted daughter after the position is promised to her.
chairman and sayuri
Sakamoto Satsu Satsu is Sayuri's sister. Although she is six years older than Sayuri fifteen at the time she leaves homeshe is brokered to a brothel to work as a lowly prostitute because of her plain features and chubby physique.
At home, Satsu is a hard and conscientious worker who lacks the imagination of her younger sister. Later, in Kyoto, she cannot bear to live as a prostitute and plans to escape, taking Sayuri with her.
Sayuri does not make it to their meeting place, but Satsu manages to escape successfully. She returns to Yoroido and runs away with Tanaka's assistant's son. Sayuri The novel's heroine, Sayuri born "Chiyo" is born in the small fishing village of Yoroido. She lives with her older sister, Satsu, and her parents. Her unusual gray eyes distinguish her from other girls, and this feature plays a significant role in her success later as a geisha.
She is clever, energetic, and imaginative. In childhood, her imagination shows her innocence as she dreams up fantasies about being adopted by Tanaka. As a woman, however, her imagination shows her maturity, as she is able to maneuver the complicated social and interpersonal workings of being a geisha. Sayuri is adept at learning to socialize with men and manipulate them, although she does not use her skills for her own selfish pride.
She learns to recognize good character, and she values friendship. This makes it harder when she must find a way to avoid having Nobu as her danna. Sayuri is driven by feelings for the Chairman that she has been harboring since she was a young girl. This is what inspires her to be a great geisha, and it is what compels her to hurt Nobu.
In the end, however, her years of longing are rewarded when the Chairman becomes her danna until his death.
Memoirs of a Geisha
Sayuri's voice is one that expresses quiet emotion and wisdom. She recalls her life through the perspective of retrospect, understanding more now than she did then. She sprinkles life lessons in her narrative but does not attempt to cover up her own foolishness.
For all she has been through, she emerges gracious and kind. General Tottori General Tottori becomes Sayuri's danna. He is in charge of procurements in the military, so his connections make him an attractive danna prospect. It is wartime in Japan, and prices are rising while other items are being rationed. Tottori is able to provide things for the okiya that other men cannot.
He is not affectionate or attentive, but he does provide for Sayuri and the okiya until his arrest. Yukiyo Themes Deception From the time Tanaka brokers Sayuri and her sister away from their home, the theme of deception guides the course of events in the novel.
While Tanaka's deception is indirect after all, he never actually tells young Sayuri what her future holdsHatsumomo's deception is overt. Hatsumomo not only lies about Sayuri, but she goes so far as to set her up to look guilty when she is innocent, as when she puts money into Sayuri's obi before telling Mother that Sayuri sold some of her jewelry. Hatsumomo also makes empty promises so she can manipulate and dominate the young apprentice geisha.
As much as Sayuri resents so much deception in her life, the irony is that she takes on the profession of a geisha, which relies on deception. As a geisha, Sayuri assumes an identity other than her true one, she laughs at jokes that are not funny, and she learns to make a certain kind of blank face that men can believe means whatever they like. Her success depends on her ability to appear not as herself but as whomever her clients want her to be.
Deception is also depicted in the novel is in the way Sayuri outgrows her propensity for self-deception. As an innocent young girl in Yoroido, she absolutely convinces herself that Tanaka will adopt her, her sister, and her father after her mother dies. It is an idea she embraces and then persuades herself is the truth, which only makes the heartbreak worse when it is not true.
In Kyoto, she convinces herself that her sister has been taken to another okiya and that they will reunite at geisha school and escape together. She does not consider any other possibility, which again makes the reality all the harder to endure. As she ages, however, Sayuri learns the cynical ways of Gion as she learns more about herself. Although her fantasies about the Chairman seem like a regression to her childish ways of thinking, in the end, her dream comes true.
Her father had a lot of wood in him. Research the meaning of the elements of water, wood, fire, metal, and earth in Japanese thought. How did they describe people, and were they used to describe anything else? Are they still used today? Finally, what insights into the characters and their fates do you gain from this research?
Hatsumomo hates Sayuri from the moment she arrives at the okiya, but the reader is never told directly why. How do you explain her deep, malicious hate? Write an Afterword containing excerpts from Hatsumomo's memoirs that shed light on this issue. The dynamics between male and female power are unusual in the geisha-client relationship.
What kind of power does each person hold? Research women's roles in modern Japan and prepare a binder in which you trace the history of women in Japanese society throughout the twentieth century. You may complement your text with drawings, charts, photographs, diagrams, or any other visuals that will enhance your research. Golden refers to the practice of Shinto in the okiya, but Sayuri is also aware of Buddhist practices.
Read about these two traditional religions in Japan and compose a comparison of the two. Based on what you know about the okiya, its function, and the women in it, does it make sense that Shinto would be the religion of the house? To become a geisha, Sayuri works very hard to learn to play the shamisen, dance, sing, and perform tea ceremonies.
Untitled Prezi by Jocelyn Burdett on Prezi
Japanese arts are traditionally precise and expressive. Choose three forms of Japanese cultural expression or art, and prepare a presentation for westerners to help them understand and appreciate this culture.
You may choose a recording of shamisen music, an explanation of a tea ceremonya video of a traditional dance, diagrams and examples of Japanese calligraphy, examples of art, a collection of haikus, etc. To conclude your presentation, offer comments on how your work has affected your understanding of Sayuri's experience.
Metamorphosis There are two levels of Sayuri's metamorphosis depicted in Memoirs of a Geisha. The broader level is her journey from the fishing village of Yoroido to the heights of geisha success in Gion. Sayuri recalls, "I may have been no more than fourteen, but it seemed to me I'd lived two lives already.
My new life was still beginning, though my old life had come to an end some time ago. Among the most basic elements of a person's identity is her name, and to become a geisha, Chiyo must become Sayuri. The narrower level is her daily transformation from an ordinary beautiful woman into a fully painted, tucked, and adorned geisha. The metamorphosis that she undergoes with makeup and kimonos is a sort of microcosm of the broader level of her complete transformation over the course of the book.
Remembering the first time she saw herself in makeup, she says, "I knew that the person kneeling before the makeup stand was me, but so was the unfamiliar girl gazing back. I actually reached out to touch her. In chapter 5, Sayuri explains, "Only when she sits before her mirror to apply her makeup with care does she become a geisha. And I don't mean that this is when she begins to look like one. This is when she begins to think like one too. She realizes the importance of beauty immediately upon arriving in Gion, when she sees Hatsumomo at the okiya.
Her beauty leaves Sayuri speechless, having never seen anything like her. Sayuri's lavish descriptions of the patterns and colors in kimonos attest to her appreciation of beauty, especially given the fact that she is recalling them from many years before. As she herself progresses through her studies and the levels of geisha standing, she is amazed at her own beauty when she is in full makeup and dressed in Mameha's kimonos. To others, Sayuri is beautiful, but she does not come to accept this as part of her identity until much later.
She recalls as a child that Tanaka was the first to compliment her beauty, and she almost believed it was true. Most pointed, however, is how Golden depicts beauty in Hatsumomo. In her character, he demonstrates the stark differences between superficial beauty and true beauty.
As stunningly beautiful as Hatsumomo is in appearance, she is ugly in character. After she forces Sayuri to deface Mameha's kimono, Sayuri recalls, "Even then, amid all my fears, I couldn't help noticing how extraordinary Hatsumomo's beauty was. While describing the tricks Hatsumomo used to undermine her apprenticeship, Sayuri recounts a time a military officer showed her his pistol: I remember being struck by its beauty. The metal had a dull gray sheen; its curves were perfect and smooth.
The oiled wood handle was richly grained. But when I thought of its real purpose as I listened to his stories, it ceased to be beautiful at all and became something monstrous instead. Does Auntie feel real affection for Sayuri and Pumpkin, or does she see them simply as chattel?
Which is the more valid? Do you feel that, in finally showing her physical scorn for Nobu, Sayuri betrayed a friend, or that real friendship is impossible between a man and a woman of their respective stations? How do Japanese ideas about eroticism and sexuality differ from Western ones?
Does the Japanese ideal of femininity differ from ours? Which parts of the female body are fetishized in Japan, which in the West? Does the way in which the Kyoto men view geisha differ from the way they might view other women, women whom they might marry? What are the differences?
How, in turn, do geisha view men? Do you find that the relationship between a geisha and her danna is very different from that between a Western man and his mistress? What has led Sayuri to think that "a geisha who expects understanding from her danna is like a mouse expecting sympathy from a snake" [p.
As the older Sayuri narrates her story, it almost seems as though she presents Chiyo and Sayuri as two different people. In what ways are Chiyo and Sayuri different? In what ways are they recognizably the same person? Pumpkin believes that Sayuri betrayed her when she, rather than Pumpkin, was adopted by the Nitta okiya. Do you believe that Sayuri was entirely blameless in this incident? Sayuri senses that she shares an en, a lifelong karmic bond, with Nobu [p. How might a Western woman express this same idea?
How do the inhabitants of Gion view political events in the outside world?