Abbott And Costello Meet Dr. Jekyll And Mr. Hyde () -- (Movie Clip) Mr. Hyde Will Kill Him!
sexygf.info: Abbott & Costello: Meet Dr Jekyll & Mr Hyde / Mov [VHS]: Bud Abbott, Lou Costello, Boris Karloff, Craig Stevens, Helen Westcott, Reginald Denny. Abbott and Costello Meet Dr. Jekyll and Mr. Hyde is a film about two bumbling American cops who hunt for the mysterious Mr. Hyde in London, England. Abbott and Costello Meet Dr. Jekyll and Mr. Hyde is a American horror comedy film directed by Charles Lamont and starring the comedy team of Abbott .
He then injects himself with his potion and the transformation begins. Hyde now sets out to stalk the streets of London and kill Bruce. At the same time Slim and Tubby decide that the only way to get back on the force is to catch the monster that has been murdering people.
As they are walking along Tubby notices Hyde, whom he mistakes for a burglar, trying to break into a music hall window. The two then enter the music hall in an effort to head off the burglar. Vicky is a performer at the music hall and Bruce was in the dressing room with her, which is why Hyde was trying to break in. A slapstick chase ensues which leads to Tubby tricking and locking Hyde in a wax museum prison. Arriving at the cell to see Jekyll and no monster Tubby is once again scolded.
Jekyll asks Slim and Tubby to escort him back to his house and embarrassed, due to the mix up, they agree.
Once at the house Jekyll invites the two to stay the evening. Unable to sleep and pretty terrified Tubby decides to search the house looking for clues to give him answers to what happened earlier. How will Tubby and Slim escape this one, and how will Bruce and Vicky deal with the horrific news that Jekyll is also Hyde? Abbott and Costello Meet Dr. Hyde is loosely based on the Robert Louis Stevenson novel of the same name.
The combination of slapstick comedy with the classic nightmare inducing monsters was an absolutely brilliant idea that really paid off for everyone. With that being said these films, unlike many others that I revisit, have to be viewed at face value.
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There is no real deeper message or meaning here except to entertain the audience, and in that regard this film is a success.
If you are going into this one, as well as any of the other Abbott and Costello Meets… films expecting an existential experience that unlocks deep secrets inside yourself, this may not be for you. These films were intended to allow audiences a small amount of time in their day where they do not have to worry or bring their baggage with them, to just enjoy and laugh at the hijinks on screen.
To me, that is the charm of old school Hollywood films. For the most part these films were selfless in the idea that they were made to entertain audiences and get a laugh.
A Monday with “Abbott and Costello meet Dr. Jekyll and Mr. Hyde”!
That simple fact alone is why I think the Abbott and Costello movies are still beloved today not only by older generations, but really by anyone who is willing to give a black and white film a chance. Personally I felt it was a bold move on the part of Charles Lamont to include the scene. Providing a strong political backstory for the character of Vicky was a forward thinking idea, and even though the scene ended out in physical comedy it was a nice switch up.
Another source of controversy was the method as to which Dr. Jekyll and eventually Tubby transformed. Instead of drinking a potion, as in all other versions, they inject themselves with a syringe. The censors were very uneasy about this and regulated the film makers by changing the scope from the actual injection to the facial expressions and movements the actors could convey while taking the injection.
This, along with the scenes of Mr. Hyde, actually landed the film an X rating in Britain! The biggest source of conflict probably came from one of the most revered actors of the time. It was no secret that Boris Karloff was not a fan of these kinds of films. He felt as if it was insulting to the characters and genre he had given so much too.
The first example of this was when he turned down the role of Frankenstein in Abbott and Costello Meet Frankenstein.
However, having to fulfill his obligations to the studio he signed on to be in not one, but two A and C films. Abbott and Costello were known for their use of pranks and pie fights in between filming to keep the tempo up, something that Karloff did not much appreciate. Plot[ edit ] A rash of murders by an unknown "monster" is plaguing London, and police are baffled.
A newspaper reporter, Bruce Adams Craig Stevensfinds one of the murder victims while coming home from a bar at night and calls the police. Later, Vicky's guardian, Dr. Tubby and Slim are thereafter kicked off the police force.
Unknown to anyone, however, Dr. Jekyll has developed an injectable serum which transforms him into Mr. Hyde the "monster" responsible for the recent murders. When Jekyll notices Vicky's and Bruce's mutual attraction, he has more thoughts of murder, injects himself, and transforms once again into Hyde with the intent of murdering Adams.
Abbott and Costello Meet Dr. Jekyll and Mr. Hyde
Meanwhile, Tubby and Slim decide that in order to get back on the police force they must capture this "monster" Hyde. While walking down the street that night, Tubby spots Hyde whom Slim at first mistakes for a burglar.
They decide to follow Hyde into a music hall where Vicky is performing and Adams is visiting her. Tubby annoys an actor in a far-eastern demon mask by mistaking him for the monster, and gets called "barmy". A chase ensues, and Tubby traps Hyde in a wax museum. However, by the time he brings the Inspector Reginald DennyAdams, and Slim to the scene, the monster has already reverted to Dr.